Started in October, the cycle of public programs Bienal dos Índios, a joint initiative by Fundação Bienal de São Paulo, MAM São Paulo and Galeria Jaider Esbell de Arte Indígena Contemporânea, was temporarily suspended to pay respect to the the mourning of their participants after the passing of Jaider Esbell, idealizer of the program and important articulator of contemporary indigenous art in Brazil.
This Thursday, 2 December, the 34th Bienal invites to a day of encounters that pay homage to the life of Esbell and express the importance of the continuation of the ways that have been widened by his work and posture as a promoter of contemporary indigenous art.
Performance-talk by Gustavo Caboco at his work Extensão Wapichana [Wapichana Extension]
2/12, Thursday, 7pm
The artist will bring fragments of texts and talks which reverberate his recent trajectory and his dialogues with Jaider Esbell.
Site: work Extensão Wapichana [Wapichana Extension] [2nd floor]
Caroline A. Jones, Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).
Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).