Started in October, the cycle of public programs Bienal dos Índios, a joint initiative by Fundação Bienal de São Paulo, MAM São Paulo and Galeria Jaider Esbell de Arte Indígena Contemporânea, was temporarily suspended to pay respect to the the mourning of their participants after the passing of Jaider Esbell, idealizer of the program and important articulator of contemporary indigenous art in Brazil.
This Thursday, 2 December, the 34th Bienal invites to a day of encounters that pay homage to the life of Esbell and express the importance of the continuation of the ways that have been widened by his work and posture as a promoter of contemporary indigenous art. Daiara Tukano invites Cristine Takuá, Carlos Papa, Denilson Baniwa and Bú'ú Kenedy to activate her work Dabucuri no céu.
Activation of the work Dabucuri no céu [Dabucuri in the Sky], by Daiara Tukano
2/12 (Thursday), 5pm
The guests will gather and alternate their voices and chants occupying the center of Daiara Tukano's installation.
Site: work Dabucuri no céu [3rd floor]
Caroline A. Jones, Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).
Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).